A hand-bound zine by a Tokyo night photographer.
48 pages, riso-printed in Nakano, edition of 200.
Each month a single city is researched, walked, and pared down to a small box of objects worth keeping. No itinerary, no novelty, no airport vocabulary.
Every issue assembles around a single city. Below is what arrives this July, in order of size.
A hand-bound zine by a Tokyo night photographer.
48 pages, riso-printed in Nakano, edition of 200.
A wood-fired guinomi from a fourth-generation kiln in Mashiko.
Irregular at the rim, glazed in iron-flecked white.
Hinoki incense rolled by hand in a Kyoto temple workshop.
Twelve sticks, cedar-bright, no synthetic binders.
A tenugui dyed with natural indigo at a 200-year-old Asakusa shop.
Cotton, 35 × 90 cm, softens with every wash.
Monthly, founding-member, or annual. Cancel anytime — no holds, no calls, no penalty.
Our editor walks the same streets, talks to makers, and keeps four objects. The other forty are returned.
Inside: the objects, a 24-page essay on where they came from, and a pressed receipt from a real shop.
We chose the Tokyo no postcard sells. Two weeks in Yanaka and Nakano, mornings at the Tsukiji outer market, late nights in Golden Gai with a photographer who only shoots between midnight and four. The box we built is small on purpose: a hand-bound zine, a kiln-fired cup, a coil of hinoki incense, and an indigo cloth that will outlast you. None of it was made for tourists. All of it was paid for in cash, with receipts, by a person who has eaten dinner in those rooms more than once.
All plans renew automatically and can be cancelled in two clicks. Prices in USD; free tracked shipping to the 48 contiguous US states.
One issue, one city, mailed the first week of every month.
Locked-in rate for the first 50 readers. Forever.
Twelve issues, paid once. Saves a month.
LuxePassport began as a notebook. One editor, twelve cities, a rule to spend more time in shops than restaurants. The best souvenir is the one you'd never find in a tourist shop — so we go and find it. The box is the notebook, made physical: four objects from one place, paid for in cash, mailed to your door each month.
“Tokyo does not give up its objects easily. You have to walk the side streets, follow the sound of a hammer on metal, accept that the best shop has no sign. Issue Nº 01 is the result of ten days of getting lost on purpose.
“Every object in the box was chosen by hand, paid for in cash, and carried back to the hotel in a paper bag. No distributor, no warehouse, no middleman. Just one editor, one city, and the things worth finding.
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